Dreamscapes 2 / December 19, 2019 by a zugunruhe

Overnight trains across the country travel through stretches of land that give voyeur-esque passage through the lights of distant homes, cars, and fires who are echoed in the sky by the few stars that come out.

Isolation can alter how we perceive our environment. Our minds fill in the negative space and create a fragile surreality that can be broken by a flash of light or any familiar, steady presence.

While the original Dreamscapes aimed to capture the the unreal environment of the midnight sun in the Arctic Circle, the aim of this set is to capture the negative space of rural America to find new unique shapes and patterns with the available light.

Also, these just look kind of cool.

NYC 4/LA 1: The ~BiCoAStaL~ Era / November 15, 2019 by a zugunruhe

Life is wild.

Getting back to NYC in January was bittersweet. Reconnecting at the Greenpoint Gallery is always a treat and Brooklyn is far from the worst place to be. But there was a general uneasiness in me being back in the city. I love taking chances and learning new topographies. Being surprised around every corner is something I live for. I had become addicted to being in situations where I understand nothing.

Many things conspired to me leaving for Los Angeles but it was a welcome change. Mostly because I was able to eat my own words about the city after speaking so poorly of the it while living in Austin. I used the opportunity to see things in a new light. Not only through photographing the insane sunlight in Southern California, but through the people I’ve met, the architecture I’ve stood in, and the general awareness I’ve gained through trying something new.

The last thing I expected was to photograph the poet laureate of Gucci and his lady during a choral arrangement of a Beatles song.

This year I whittled down my gear to one body and one lens. An all manual focus 40mm f/1.2 and very capable full-frame mirrorless. While this limits how I’m able to produce, it frees me from thinking in any other capacity. I can see most shots before I pull out my camera. Because of the sheer amount of shooting I did the last few months of 2018, I know exactly how certain parts of the day will look, how much contrasting sunlight I will need to create shapes with shadows, and where to stand in a DIY space to get the most dramatic shots from one florescent bulb on the wall.

I’m not huge on talking at length with the shots I take, but I believe the last year has allowed me to take serious steps towards much more dynamic photography than I have before. I’m beginning to feel proud of my work and I hope you guys dig it.

Also, how the fuck has it not rained in LA in three months?

NYC

LA

Echo Park Rising 2019 / August 23, 2019 by a zugunruhe

Echo Park Rising 2019 was like a small SXSW with no blatant corporate sponsoring or open bars. The line up was diverse, ranging from Thrash in a barbershop to Soundclound rappers doing acoustic sets on a patio. The majority of the party stretched along a mile of Sunset Boulevard and came out strong for four days straight.

The Birth Defects at American Barbershop

Textures: Los Angeles / May 16, 2019 by a zugunruhe

There’s a documentary that begins with a producer in NYC, describing how he was watching the OJ Simpson chase live on TV. He recalls watching the that white Bronco speeding through cars on the highway and beginning to cry. When asked what was wrong, he responded “That light. It’s just so good”

The natural light in Los Angeles has organically produced styles of lighting and photography through its shear force. That incredibly bright, washed out feel is a natural part of Southern California.

The physical and social diversity of Los Angeles is expansive. The light only makes everything more vibrant.