An American Goatneck in Paris (and a few other places) [Paris, Munich, Venice, Turin, Barcelona - May/June 2013] by a zugunruhe

This covers my first trip to Europe proper. I flew into Paris, traveled to Munich for a quick course over the EU and debt crisis, and ended up in Barcelona for Primavera. With a few short side trips along the way.

The Trip


For my first week abroad, I was in Paris. One night I took a chance and flew out to Manchester for the sole purpose of seeing The Fall live. It ended up being one of the more incredible shows I had attended in my life. 

The Fall are a punk band from Manchester who came from the same scene as Buzzcocks. Unlike their contemporaries, The Fall have been putting out albums nearly every year since the late 70s thanks to the ridiculous work ethic of Mark E Smith. Mark E. Smith appears to be a man who could keel over at anytime and I didn't want to miss my chance to see this guy. Having only the most basic exposure to the band though a 2-disc "greatest hits" cd I bought  a decade ago, I had no idea what to expect.

At first I was throughly worried that I had wasted my time as the crowd consisted mainly of 50 year olds with beer bellies accentuated by cardigans. Previous experience has taught me that the longer a band has been around, the lamer the audience becomes at their shows. The masses at that point opting to evoke nostalgia rather than participating in an event. 

Once the band started up, I couldn't have felt more wrong. THOSE MOTHERFUCKERS WENT HARD. Balding, out of shape former punks were going harder than At The Drive In fans in El Paso and it was approaching grindcore levels of apeshit. 

Mark E Smith powered through the set with his signature drawl and the band decimated. I have only seen a handful of shows that left me this wrecked afterwards. I was drained and satisfied in only an amazing experience can leave you. 

Italy
I had a limited amount of time in Italy as I was only taking trains through Venice, Milan, and Turin over the course of two days on my way to Barcelona. I left Munich on an overnight train to Verona. I had a bunk mate who seemed nice enough and gave me a helpful translation when we were leaving the station. 

One of the car officers didn't speak enough English to communicate efficiently, so he gave some advice to my bunkmate to translate for me.

"Lock the door at night. Sometimes gypsies come on to the train. Sometimes they have knives."

Words to live by.

Also on that train I met a young man with the most fantastic mutton chops I had ever seen. My interaction with him prompted me to write this note in my phone:



Moments

0:00 - Animation intro

 

 

 

 

0:33 - Mona Lisa Selfie

 

 




1:16 - Montserrat timelapse

 

 

1:30 - Selfie montage into mic drop

 





2:00 - fuck arcade fire walkoff

 


2:33- 3:34 - ~Goatnecks all over~

 

 

 

 

The Video

Since I always want to try something new with each video, this time around I decided to shoot entirely in photographs. Since gaining a taste of time-lapse methods with Chill Country, I wanted to expand my abilities in this field. 

All in all I shot around 5,000 photos during the trip. Most ideas I had panned out so ended up with too much footage. These sequences eventually went into the next video (Europe, 2014).

This was also my first attempt at animation as well. I had brainstormed animated transitions for my last Iceland video, but those never came to fruition. While my usual turnaround for a video is anywhere from a few days to a week, this one took nearly a month. Hours after class were spent plotting, drawing, cutting, and snapping pics of sequences. Never again. Unless it's for money.

 

The Music

Chill Country [Austin - 2011-2013] by a zugunruhe

This is a recap of my time in Austin combining a ridiculous interview I did for the Austin Chronicle and various shots I took of my neighborhood in East Austin the last few years I lived there.

The Trip

Not a trip in the conventional sense but most definitely a trip.  

I lived in Austin for six years. Coming from small towns, I was curious to see what all of this big city livin' was all about. I think I'm one of the few musicians to move to Austin to quit playing live music. For the first time in my life I found myself in a culture that valued creativity and expression. I was so overwhelmed with this environment that all I could do was kick back and absorb. 

 

Moments

0:45 - The millions of bats flying out of the Congress bridge

 



0:52 - Willie Nelson statue unveiling at 4:20 on 4/20

 




1:19 - Vince!

 

 

 

1:38 - Graffiiti gallery time lapse

 

 

 

 

The Video

I first came up with the idea for this video after I shot a little bit of the Willie Nelson statue unveiling. I didn't have enough footage to post anything as a standalone because my battery kept dying. From there I decided to shoot a quick montage of various things about the city I enjoyed.

I was trying to find out how best to capture Austin in a video. I was so accustomed to only having a few hours to a few days to shoot in any given location that having over a year felt a little daunting. I decided to use this time to show what was the constant of Austin: change. 

I started roughly two dozen time lapses during my last year and a half in town. Safe to say only four or five panned out. The most import of which was the Hope Gallery graffiti park. I took pictures of that park twice a week over the course of 17 months at various angles. The one that ended up working was only a 6-7 month time lapse that I thought of at (relatively) the last minute.

All in all, being able to thinking about my shots a little more was a terrific exercise in putting a video together. As I mentioned before, I'm used to having a limited amount of time in the places a I visit. In those moments, I shoot for what I see and have only a basic understand of what I want to do. Those videos come together once I stop shooting and just sit down with the footage. With Chill Country, I gave myself the opportunity to look over my shots and focus on how I wanted things to connect. At times I had the time I shoot certain shots multiple times on different days and pick the best fit. Truly a luxury I hadn't experienced before.

 

The Music

Bang Iceland [Iceland - October/November 2013] by a zugunruhe

This video covers the time that Harrison and I spent in Iceland for Airwaves 2013.

This was a spectacular trip from end to end. Stars aligned, we met amazing people from all over the world, enjoyed the most perfect weather imaginable, and experienced incredible bands. I'm still blown away by the level of amazing music being produced in this country. Their badass per capita ratio is astounding.

The Trip
 

Ice on Pond:
"Imagine fireworks made of ice"

"Imagine two men playing guitars...of ice"

"We don't believe in genres. We believe in nothing but ice and magic."

"If you imagine an ice chamber filled with nothing but a man with an ice guitar and another man with an ice drum stick and an ice drum kit."

"Don't try to squeeze into these preconceptions of what ice is, what music is, what life is."

"It's all it's all its its its MAGIC. It's magic on ice."

"It's festival magic. It's Disney on ice."

"It's festival magic on Ice."


 

I have to say that one of my favorite memories is Harrison and I attending a Múm concert in a church downtown. Luckily, the lovely Lucy and Anika where ahead of us in line and saved us space on a pew in the middle of the church. French guy and Shawn sat behind us while Tatsuya and Mika dangled their legs from the second floor. 

Our view was partially obstructed but the sound of the hall was incredible. Múm formed their exquisite accumulation of sounds with such care that two hours passed in an instant. In a daze with a beautiful lady next to me (possibly Harrison), I had rarely felt at such ease. The entire experience felt like a massage. There wasn't a single peep by the audience during the songs, only the occasional DSLR shutter. That is until Shawn attempted to leave during the encore, ended up knocking things over, and exclaiming "I BROKE GOD'S BOOK." A barrage of daggered stares shot back toward us and I hadn't had to keep myself from laughing so hard since I was a kid fucking around while bored in church.

Funny how those things come full circle.
 

We received the news of Lou Reed's death while we were in Iceland. One of my favorite memories was Nite Jewel inserting a rendition of the Underground's Heroin during a slowed down version of her song One Second Of Love. It caught me off guard in how wonderfully executed and incredible beautiful it came across. I only wish I could find a recording of it.

Moments

1:02 - Harrison bailing on Geysir

 

 

 

1:30 - Shelter

 

 



2:00 - This guy

 

 



2:06-2:40 - ICE ON POND

 

 


2:46 - THESE AMAZING KIDS

 

 

 

2:57 - ~4EVER~

 

 

 

The Video
 

Much like that last video covering this festival, I wanted to get a lot of slow pans covering the beautiful country with one short sweep of the festival in the middle.

The most important aspect of the scenery shots this time around was movement. Not just the pans themselves but connecting one shot to the next by being aware of how each shot will be viewed.

There are the alternating left-right pans of the intro which partially use the light echo of the guitar to spring each shot. Then there are the shots once the percussion kicks in where I tried to match eye movement to the next shot. This idea has always stuck with me since I read an article about eye movement data collected from people viewing text based websites. (similar: http://usabilitynews.org/eye-movement-analysis-of-text-based-web-page-layouts/). I first attempted this at the beginning of my North Korea video (click for link).

After walking away from the wooden troll at 1:15, I exit to the right while the next shot starts from an view friendly angle after following me off screen and gently pans to the left. I tried to keep this continuity of shot going until the lyrics kick in.

During the Ice on Pond speech, I tried my best to align wthe word "ice" with guitar strums as well as beats in their speech to beats or shifts in the song. The "Imagine an ice drum kit" part when the drums come in is my favorite.

The Music